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Glass Period

by Caitlin Pasko

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1.
Barking Dog 05:07
There's a reason why the dog is barking Something is a threat till it's inside And you're doing to me what she did to you And you usually were, and I probably was There's a reason why the dog is barking Something is a threat till it's outside 'Cause you're born alone, then you die alone You are born alone, then you die alone But what about the time in between? Can we ever resolve that inner feeling? I am fine until I remember it's real I am fine until I remember it's real I miss you and then I miss everyone I miss you and then I miss everyone I loved you and then I loved everyone
2.
I'm walking up to your favorite dessert in the store Now I am passing it by This is letting you go I'm throwing out the bottle of shampoo you would use in the morning When I think of you, I think of you If loving you is letting you go... Then I love you in the grocery store and again in the bathroom
3.
Open Windows 03:36
I picture you in tall grass I picture you with no shoes on Things that I have seen Things I'll never see again And there are open windows further in the distance Am I mistaking them? Am I mistaking bright fires for red curtains? And there were open windows further in the distance Was I mistaking them? Was I mistaking bright fires for red curtains? I'm talking about you I'm talking about who you are and how I got so close I'm looking out your window I'm looking for you to look too I'm looking out your window It's important to me that you see this too I picture you in tall grass I picture you with no shoes on
4.
Me Alone 04:57
If you want to be alone then be alone, be alone If you want to be alone then be alone, be alone I tried breaking it Tiny pieces Left behind Somewhere in my mind If you want to be alone then be alone, be alone If you want to be alone, leave me alone, me alone I keep going back Keeping it intact Somewhere in my mind I was left behind I'm trying to find (x5) I'm trying to find my way back (x2)
5.
The Still 05:12
I was afraid to fall in I was afraid to fall out ... of wanting to stay in ... of growing out, growing out of it I want to walk up to the tracks, hold my arms up, tilt my head back I want to walk up to the tracks, hold my arms up, tilt my head back ... and float down, float down You're unhappy You're hidden Carefully positioned in plain view I'm not that bad I just want my feeling back
6.
Get Right 04:22
I'm right beside a mountain in the sky How lucky am I? You're gonna lose me You're gonna lose me And I know why And I know why I'm right, I'm right, I'm right

about

On 'Glass Period', we find a small chapel to personal grief. There's a chapel’s sense of calm, of refuge from the world, but also its starkness, its lack of cover from fear, its welcoming of the large and the small. There are small terrors that we must occasionally sit with for a while, which can be their own source of strength. There is air and there is time. This feeling, and the open space the album creates, stems partly from the liquid phrasing of Pasko’s voice and piano playing, but it's also largely the result of the elegant production treatments by producer/composer Henry Terepka (Zula, LEPT).

credits

released March 10, 2017

Caitlin Pasko: Lyrics, Vocals, Piano
Henry Terepka: Synth, Guitar, Additional Production
Arnan Raz: Saxophone (Tracks 3,4,5)

Piano+Vocals recorded simultaneously at Relic Room with Josh Hahn. Everything else was recorded at Terepka's home studio in Williamsburg and at Studio Radio 45 in Queens.

Mixed by Patrick Dillett &
Mastered by Joe Lambert

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all rights reserved

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about

Caitlin Pasko Brooklyn, New York

Caitlin Pasko’s songs are rooms where silence and language are granted equal weight. Her singing is precise, but soft and reserved, and her piano-playing drifts and floats like the work of Satie or Debussy, thriving on the tension between dynamics, tempo, and space. ... more

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